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Fela Kuti The life of Fela is full contradictions, which is part of what makes him captivating. People who love him forgive the flaws in him. His songs are often 20 minutes long or longer, and sung in a slurred Pidgin English that is almost unintelligible. His music is influenced by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with horns and guitars. He was a musician Fela Kuti embodied the idea that music is a tool for change. He made use of his music to push for changes in the political and social spheres and his influence is evident in the world of today. Afrobeat is a musical style that combines African and Western influences. Its roots are in West-African and funk. However it has evolved into a completely new genre. His political activism was fierce, and he acted without fear. He used his music to speak out against corruption in government and human rights violations. Songs such as “Zombie”, “Coffin for the State Head” and others were blatant critiques of Nigeria's regime. He also made use of Kalakuta as a platform to meet like-minded people and to encourage political activism. The play features a huge portrait of his late mother Funmilayo ransome-Kuti. She was a prominent feminist and activist. She is played by actress Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also explores on her political involvement. Despite her deteriorating health, she refused to get tested for AIDS and instead chose traditional treatments. He was a musician The Fela Ransome Kuti was a complex man who used his music to facilitate political change. He is known for creating Afrobeat, which is a blend of funk and dirty African rhythms. fela railroad settlements was a fervent critic of Nigeria's governmental and religious leaders. Fela's mother was an anti-colonial suffragist, so it is not surprising that he has a passion for political commentaries and social commentary. His parents had hoped that he would be a doctor but he had other ideas. A trip to America changed his life forever. Exposure to Black power movements and leaders like Malcolm X and Eldridge Cleaver would have a profound influence on his music. He adopted a Pan-Africanism philosophy, which would inform and guide his later work. He was a songwriter While in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. This led him to form an activist group known as the Movement of the People and compose songs that reflected the thoughts he had about activism and black awareness. His ideas were expressed publicly through yabis – a form public speaking that he called 'freedom expression'. He also began to establish strict moral codes for his group, which included refusing to use medicine from Western-trained doctors. After returning to Nigeria Fela began building his own club and the Shrine in Ikeja. The snares of military and police officials were almost constant. Mosholashi-Idi-Oro's hangers-on repopulated the area surrounding the club with hard drugs, including “bana” and “yamuna” (heroin). However, Fela kept his integrity unshaken. His music speaks to his determination in challenging authority and demanding that the popular goals are reflected in official goals. It is an enduring legacy that will endure for generations. He was a poet In his music, Fela used light-hearted sarcasm to draw attention to political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. He referred to himself during these shows as “the big dick on the pond with the little fish.” The authorities did not take his jokes lightly, and he was often detained and imprisoned. He was also beating by the authorities. He was eventually given the title Anikulapo which means “he has his body in his purse.” In 1977, Fela released a song called “Zombie” in which he contrasted soldiers with mindless zombies who followed orders without any question. The military was offended by this and conducted a raid on Kalakuta Republic. They burned it down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window. In the decades following Nigeria's independence, Fela created Afrobeat, an genre of music that combined jazz and native African rhythm. His songs criticized European cultural imperialism and defended traditional African traditions and religions. He also criticized fellow Africans who violated their country's traditions. He emphasized the importance of human rights and freedom. He was a rapper A trumpeter, saxophonist, composer, and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz, rock and roll and traditional African music and chants, which influenced his unique style of music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work profoundly. When he returned to Nigeria, Fela began using his music as a tool for political purposes. He was critical of the government of his country and argued against Western sensibilities affecting African culture. He also wrote about social injustices and human rights abuses. He was frequently detained for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa that is also known as “igbo”. He held “yabis” (public discussions) at Afrika Shrine, where he would ridicule government officials and spread his views regarding freedom of expression and the beauty of women's body. Fela also had an entourage of women in his youth, who performed in his shows and acted as vocal backups to his vocalists. He was a dancer Fela was a master of musical fusion. He incorporated elements of jazz, beat music, and highlife into his own distinctive style. He was a prominent African musician and vocal critic of colonial ruling. Fela refused to be interrogated and detained by the Nigerian military junta as having witnessed the murder of his mother. He died in 1997 of AIDS-related complications. Fela was a prominent political activist who opposed the oppressive Nigerian Government and supported the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also promoted black-power and decried Christianity, Islam and other non-African influences for dividing the people of Africa. The title track from the album from 1978, Shuffering and Shmiling, describes the over-crowded public buses packed with workers “shuffering and shmiling.” Fela was a strong opponent of hypocrisy in religion. His dancers were an excellent match for his music. They were sensual, vibrant, and regal. Their contributions were just as important as Fela's lyrics. He was an activist in the political arena. Fela Kuti was an activist who utilized music to challenge oppressive authority. He adapted his knowledge of American jazz and funk to African styles and rhythms, creating an ear that was ready for fight. Most of his songs start with slow-burning instrumentals, then layering short-lined melodies and riffs until they explode with a ferocious vigor. In contrast to many artists who were afraid to expose their political beliefs, Fela was fearless and unbending. He stood up for what he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist who led the Nigerian Women's Movement. His father was both a protestant minister and the president of the teachers union. He also created Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided the commune, degrading the property and injuring Fela badly. He refused to give up, however and continued to speak against the government. He died in 1997 from complications related to AIDS. His son Femi continues to carry on his political and musical legacy. He was a father Music is often viewed by many as a form of political protest. The lyrics of musicians are used to call for a change. Some of the most powerful musical demonstrations aren't supported by words. Fela Kuti is among the artists mentioned above and his music resonates today. He was the founder of Afrobeat music, which blends traditional African rhythms and harmony with hip-hop and jazz, influenced by artists such as James Brown. Fela's mother, Funmilayo Runsome-Kuti, was an activist and unionist who fought against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should be serving its whole population. Seun Fela's Son is carrying on his father's legacy with the band Egypt 80. The band is touring the world in this year. The band's music combines the music and politics of Fela's day with a searing denunciation of the same power structures that continue to exist in the present. Black Times will be released at the end of March. A large number of fans gathered to pay their respects at the funeral held in Tafawa Balewa square. The crowd was so large that police were forced to block the entrance to the location.